Guild Badge: (Fieldless) In saltire a needle argent and a hammer reversed Or.
Forms of Embellishment
What is Embellishment?
The short answer: Decoration, on anything, with anything.
The Long Answer: The most commonly thought of forms of embellishment in the SCA seem to be needlework, embroidery, and decoration of garments and linens and home furnishings. However, embellishment can also be done with paints on wood or leather, with stamps and engraving tools on wood, leather and metal, with threads and other items on textiles, and on many other materials in many other media. In fact, embellishment is making just about anything more attractive by decorating it. Of course, we, as a Guild, are focused upon the ways items were embellished during the accepted SCA period of study.
Forms of Embellishment Accepted by the Guild
Forms are generally divided by material/media and technique. There is also an 'other' category under each material/medium. This category is used to suggest new forms for that material/medium when challenging. If the new form is approved, it'll be added to the acceptable forms list under the appropriate material/medium. For a printable copy of the forms list go here. The forms are listed on the last 4 pages.
All forms of embellishment should be executed upon period appropriate items if those items are to be submitted for challenging the ranks of the Guild. Period appropriate means the item and the form of embellishment come from the same time frame and location and both are acceptable to the SCA.
Note: A form may be consecutively challenged for increasing ranks up to three (3) times providing that each time the form is challenged it increases in knowledge. A form may not be challenged successfully at the same level of knowledge twice, improvement must be shown.
Note: Forms that are not completely documented as being period (e.g. we have tools but no extant pieces; for example, lucet cord in which we have tools but no actual cord) can only be challenge to competency level and no further. As soon as it is documented that these forms are period, they can be challenged to expert level.
Fabric
Stitched Fabric
Applique
Applied, reverse, single thickness, etc
Foreign items: i.e. shells, mirrors, quills, etc
Quilting
Trapunto -- corded or stuffed
Smocking
Other
Embroidery
Counted Thread
German Brick Stitch
Cross Stitch
Long Arm Cross Stitch
Voided Work
Assisi
Reversi
Counted-thread Blackwork
Pattern Darning
Other
Metal Thread
Surface Couching (metal thread)
Or Nue
Bullion Work
Underside Couching
Other
Canvas Work ("needlepoint")
Tent Stitch
Cross Stitch on Canvas
Brick Stitch
Upright (gobelin) stitch
Satin Stitch
Other
Surface Embroidery
Surface Couching (non-metal thread)
Basic Embroidery
Laid Work
Beadwork
Split Stitch
Crewel
Raised Work
Other
WhiteWork
Drawn Thread
Pulled Thread
Cutwork
Buratto work
Reticella
Other
Painting
Other
Thread
knitting
Decorative netting
lace
Bobbin
Needle lace
Drawn Work
Punto in Aria
Pulled Work
Weaving
Loom Woven Narrow Wares (e.g. Inkle)
Tablet (Card)
Decorative weaving of cloth
Braiding
Kumihimo
Fingerloop/Fingerweaving
Sprang
Thread-Woven Buttons
Wooden Core
Other
Other
Metal
Wire Weaving
Etching
Enamelling
Pierce work
Casting
Sheet metal work (chasing, repousse, etc)
Other
Earthenware
Painted
Glazed
Carved/Etched
Moulded
Other
Leather
Carving/Tooling
Painting
Braiding
Decorative Applique
Other
Wood
Carving
Burning
Painting
Inlay
Other
Stone/Gems
Carved
Painted
Other
Glass
Painted
Stained
Engraving
Other
Bone/Antler/Horn/Ivory
Carving
Inlay
Other
OTHER: a piece that does not fit into one of the above categories of material and/or forms. However, every entry in the other category, regardless of rank challenged, must be accompanied by written documentation to prove the appropriateness of the material and/or form. If the material and/or form is accepted, a new category and/or form will be created and added to the list above.